Small Factory Films Premieres Filmmaker Joe Bartone’s Everything Will Be Fine in the End at Silicon Beach Film Festival on September 14 at the TCL Chinese Theater

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Everything Will Be Fine Key ArtHollywood, CA – Indie film company Small Factory Films is excited to premiere their feature film, Everything Will Be Fine in The End from award-winning, screenwriter, filmmaker, and composer, Joe Bartone as part of the Silicon Beach Film Festival at the TCL Chinese Theater 6 in the heart of Hollywood on September 14 at 7:30 pm.

The neurotic film follows the maniacal Buzz, who has taken his girlfriend George’s dog, a labradoodle named Leo. George goes on a revenge spree of poor decisions with her friends Kai and Renka to get Leo back, ignoring that she, in fact, had previously stolen Leo from Tom, a kindly man also searching for his beloved pet. Narrated by Isaiah, an urban shaman, George, Kai, and Renka botch a break-in robbery ending in homeowner Julia’s death – who then follows George around in her ghost form to witness the consequences of their actions.

The film features Kent Harper as Buzz and introduces Elsa Kennedy in her first lead role as George, the film also stars musician actors Cheska Zaide and Steven Michael Martin.

The film features an original score and songs written and performed by the director joined by Kennedy on vocals and Martin on drums, making this film unique for today’s productions and is reminiscent of the punk/DIY spirit of legendary indie films of the 80s, 90s, and 00s such as Paranoid Park, and Repo Man. Trailers for Everything Will Be Fine in The End can be seen here and here.

Filmmaker Bartone notes, “I never dreamed writing songs for my friends would one day bring me to standing in front of an audience at the world-famous TCL Chinese Theater to share my vision, words, and music. I hope that my hard work and that of my cast and crew can show others that all things are possible if we choose life.”

The event will kick off at 6:30 pm at TCL Chinese Theater 6 at 6801 Hollywood Blvd, Los Angeles, CA 90028 with a red carpet featuring stars of the film and notable supporters. The screening will take place at 7:30 pm. Following the screening there will be a premiere party at the nearby Hollywood Roosevelt Hotel, 7000 Hollywood Blvd, starting at 9:30 with a red carpet. In the Hollywood Roosevelt Pool bar, music and a cash bar will continue until 11:15 pm.

Joe Bartone is a WGA caucus member. His films have won 18 awards in filmmaking, screenwriting, and composing. He has also notched 19 finalist placements and 8 semi-finalist placements in film festivals. He was a member of the Warner Bros. team that took the 2013 Technical Emmy for innovative digital delivery systems. His screenplay, Worst Night Ever was chosen as the 3rd best horror screenplay at Slamdance in 2021. In music, he was named among the 2015 best new jazz artists from JazzFM – the top syndicated jazz radio programming for NPR for the album Master Plan B with his group Thelonious Dub.

In addition to his own films, Bartone has been on the sound team of over 120 film and television productions.

The public can purchase tickets at the film festival in advance or at the door. Advanced tickets may be purchased online at https://www.siliconbeachfilmfestival.com/tickets, please scroll down to Block OO Wednesday, 7:30 pm 9/14. Tickets must be added and then scroll down to the check-out at the bottom.

Presenting AfroClassical Composers Brings Classical Music of the African Diaspora to Life October 16 at Los Angeles’ First Unitarian Church

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Los Angeles – Presenting AfroClassical Composers, a new non-profit organization founded to celebrate the contributions of African-American, and other African Diaspora classical music composers is excited to present its first post-pandemic live event Sunday October 16 at 4pm at Los Angeles’ First Unitarian Church, 2936 West 8th Street, Los Angeles, CA, 90005.

The event will feature the music of AfroClassical Composers Dorothy Rudd-Moore, George Walker, R. Nathaniel Dett, and Maria Thompson Corley. The compositions will be performed on piano by Maria Thompson Corley and Presenting AfroClassical Composers’ Executive Director Michael Ligon. The event will also feature a panel of experts discussing the impact of AfroClassical Composers and related disciplines. The event is FREE with RSVP at https://afroclassicalcomposers.org/.

Presenting AfroClassical Composers mission is to increase knowledge and appreciation of legacy and living composers of the African Diaspora through live performances of their compositions, interpreted by culturally diverse musicians and framed by interdisciplinary community conversations.

Michael Ligon, the Artistic Director, is bringing together culturally diverse musicians and conductors who reflect LA County’s demographics and best talent to offer a series of live performances of curated orchestral, solo and ensemble works, at venues around LA County. Performances present classical music by both female and male composers (legacy and living) of the African Diaspora, including those from Canada, Guadeloupe, Brazil, France, Guinea, the U.S., Nigeria and England.

Each performance will be framed by performers and expert panelists from Music, Ethnomusicology, Architecture, Visual Arts, Dance, Literature, Sociology, History or other complementary disciplines, enabling audiences to discuss the social context, and broad historical and cultural influences on featured compositions and composers.

The project was launched in 2018 by Ligon, as a series of monthly Sunday Salons, in tribute to and following the death of Dr. George Walker, the Pulitzer Prize-winning composer and mentor to Mr. Ligon. The monthly gatherings set the stage for expansion on larger scale community conversations and live performances of works by composers of the African Diaspora.

Presenting AfroClassical Composers helps counter the erroneous perception that classical music involves only European composers – A study by the League of American Orchestras indicated that Black composers’ works are included in less than 1% of the top 10 compositions performed in subscription programming!

Another issue is the absence or lack of culturally inclusive studies at schools and universities. A pre-COVID/Pre-George Floyd online review of university and schools of music curricula in LA County shows that they often exclude composers of the African Diaspora. Consequently, many music and liberal arts students at universities, schools of music and conservatories are hard pressed to name only one or two (if any) classical composers of the African Diaspora, but can easily name, from memory, some five Russian composers.

Excluding such diversity creates limitations in jobs, careers and livelihoods of Black classical musicians and composers. Less than 2% of musicians employed by major symphony orchestras are Black, according to a League of American Orchestras study. Visual observation reveals similar employment stats reflected in the Los Angeles Philharmonic and Los Angeles Chamber Orchestras. The pit orchestra of Long Beach Opera during performances of the 2020 Pulitzer-winning opera Central Park Five, reflects similar lack of cultural/racial diversity among its musicians.

Presenting AfroClassical Composers is unique in that its events feature performances of excerpts and sections of curated compositions, rather than performances of them in their entirety. This offers listeners a much wider range of repertoire and composers, while providing more cultural context than do conventional performances of entire compositions. Printed programs provide listeners with information for expanded discovery and learning after, and inspired by the presentation.

All performances are framed by interdisciplinary discussions with expert panelists, concluding with interactive, community/audience discussion (talkbacks). The organization focuses on works by accomplished composers of the African Diaspora that prior to George Floyd’s death, were rarely included in subscription concerts by similar organizations who receive public funding from LA County (like the Los Angeles Philharmonic, Los Angeles Opera and Los Angeles Chamber Orchestra).

Future musicians who neither see themselves in orchestras nor hear works by diverse composers – including those of the African Diaspora – experience a form of perceived exclusion, perpetuating a general and often unspoken conclusion that they don’t belong in those organizations. Inversely, Afro-Latina conductor Kalena Bovell reflects in a YouTube interview for Sewanee Summer Music Festival, her surprise in learning that at a school she visited repeatedly, a young boy stood behind her regularly mimicking her conducting motions. He saw himself in her actions and her presence.

Mr. Ligon notes, “The current absence of cultural representation and diversity in performances offered to young musicians and composers often implies an erroneous conclusion that Black musicians and composers perceived value in those roles is diminished.” Adding, “Presenting AfroClassical Composers offers exciting programs with accomplished musicians performing the works of African Diaspora classical composers, with experts discussing their impact to bring these important composers and their brilliant work to life for current and future generations of classical music lovers to appreciate, understand, and enjoy.”

Korean Content Streamer KOCOWA Celebrates Their 5th Anniversary by Releasing Five of the Top Korean TV Shows Available Exclusively on KOCOWA

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Los Angeles, CA – The number one 100% Korean content streamer KOCOWA is excited to celebrate its 5th Anniversary this summer by offering its dedicated audience of K-culture fans five popular Korean TV shows exclusively on the KOCOWA app and on their channel on select partners such as Prime Video, Roku and Comcast.

In addition to KOCOWA Exclusives hits like It’s Beautiful Now and Tracer, the five new exclusive shows are Merry Queer, the very first Korean LGBTQ+ reality dating show; Boar Hunt, a new drama about all of the secrets brought to light as a mountain village searches for a missing child; No, Thank You, a show about a new wife learning to deal with her traditional in-laws; High Kick!, a beloved ensemble sitcom in a vein similar to Modern Family; and Dopojarak: Story of Homme the K-Wanderer, that features huge stars like Kim Jong Kook from Running Man, Noh Sang Hyun from Pachinko, Ji Hyun Woo from the recent hit Young Lady and Gentleman, Joo Woo Jae from Love Naggers, and Olympian Hwang Dae Heon, as they travel around the world introducing people to all things Korean.

KOCOWA has been on a fantastic trajectory since its 2017 launch with 40% YOY growth. In addition to the app and device partners Apple, Google, Roku, Samsung, LG Smart TVs, etc., KOCOWA has also set up B2B deals with a number of partners including MVPDs Comcast Xfinity X1, Flex + Cox Communications, The Roku Channel, Amazon Prime Video, OnDemandKorea, among others, with more to come.

In addition to having a solid presence in North America with English and Spanish subtitled content KOCOWA is also available in Central and South America, and in Brazil with Portuguese subtitles. KOCOWA is also responding to its large Spanish-speaking fan base by doubling the amount of its hit shows now available with Spanish subtitled content.

CEO of waave Americas, the parent company of KOCOWA, KunHee Park notes, “leading the wave of Korean content going global has been exceptionally gratifying these past five years. Being able to bring a diverse array of content to our audiences is very important to us. Seeing the ever-increasing subscriber base for KOCOWA, along with other Korean global hits, and pop stars like BTS, show the world is very interested in Korean content. We are excited to bring some of the best and most diverse Korean TV to a global audience as we continue to expand to new territories and offer programming subtitled in more languages.”

Truly the ultimate destination for Korean entertainment, on KOCOWA customers can watch select shows on the same day they air in Korea, like their favorite idols on music chart shows, and dig into thousands of high-quality library titles. Discovery is easy, as audiences can immerse themselves in award-winning relatable comedies and dramas, and hilarious reality competitions. For fans of K-pop, there are more than enough idols’ moments to binge on.

KOCOWA makes Korean TV accessible to new viewers by showcasing the Top 10 current series, featuring an impressive lineup of addictive hits, including It’s Beautiful Now, Weightlifting Fairy, Kim Bok-joo, The Penthouse, Hwrang: Warrior Poet Youth, and long-time fan favorites like Running Man and Home Alone. BTS recently performed their latest single live on the popular Korean show Music Bank K-Chart, and fans worldwide were able to see it via the KOCOWA app.

As the service provider in the Americas with the largest library of Korean content, KOCOWA has quickly risen as an international platform since 2017. KOCOWA’s millions of viewers are diverse, with 90% of viewers of non-Korean ancestry, in the prime under 44 age demographic, and female. Programming is available in real-time after broadcast airtime in Korea, making KOCOWA the preferred destination for fans to watch new series, and award-winning library titles, or to discover new and exciting Korean content available only on KOCOWA.

About wA and KOCOWA
wA is a joint company between the top three Korean broadcasters – KBS, MBC, SBS, plus SK Telecom. wA launched KOCOWA, a subscription video streaming platform in the Americas in 2017, with primary audiences in the United States, Canada, and Brazil. KOCOWA provides a robust lineup of over 25,000 hours of Korean Dramas, Reality, and K-Pop content in multi-languages on its direct platform. For more information please visit: www.kocowa.com.

Korean Content Streamer KOCOWA and The Korea Creative Content Agency (KOCCA) to Host an immersive K-Drama and Running Man Booth at KCON Los Angeles on August 19-21, 2022

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KCon Collage of imagesLos Angeles – Korean content streamer KOCOWA and The Korea Creative Content Agency (KOCCA), a South Korean governmental agency that oversees and promotes the advancement of the Korean content industry, are teaming up to host a booth themed around fan favorite K-Dramas and the top-rated and long-running Korean TV show, Running Man, at the 10th Anniversary KCON LA 2022 event taking place at the Los Angeles Convention Center from August 19-21, 2022.

KOCOWA is a joint company between wavve Americas (wA), and the top three Korean broadcasters KBS, MBC, and SBS, along with SK Telecom. KOCOWA’s international service allows customers to access new authentic content from Korea daily via their mix of K-Dramas, K-Pop, K- Reality, and K-Variety, in addition to thousands of hit and highly rated library titles.

“With Korean content’s mainstream wave in the Western Hemisphere breaking recently, we are excited to be the only streamer 100% dedicated to Korea’s fresh storytelling and diverse programming,” said wA CEO KunHee Park. “As a niche streaming service with broad reach, KOCOWA is well-positioned to be competitive in the battle among streaming services by super-serving fans of Korean-produced content. We are looking forward to meeting our viewers in person and providing them some fun at KCON LA 2022.”

“The love and demand for Korean content is by no means secret but has become a global sensation with record-breaking content and K-Pop artists such as Squid Game and Parasite, to BTS and Blackpink,” says Sung Ho Ju, the director of KOCCA USA. “KOCCA is excited to be part of this year’s KCON LA 2022. We look forward to meeting and celebrating all things Korean with Hallyu fans at the event. We will continue to support the Korean content industry so that more audiences around the world will have a chance to fall in love and to engage with Korean culture and content.”

KCON LA 2022 is the world’s largest fan celebration of Korean culture and music. The event launched in Los Angeles in 2012. It features an entire convention center to explore K-Pop, K-Drama, K-Beauty, K-Food, and beyond through engaging panels, an expo overflowing with innovative products and idol appearances, KCON LA 2022-exclusive programs, and artist engagements giving fans a chance to meet their favorite K-Pop stars—along with star-studded “M COUNTDOWN” concerts featuring K-Pop legends alongside the hottest rookies in the industry.

Running Man is a reality-variety show that stars Yu Jae Seok, Kim Jong Kook, Haha, Jee Seok Jin, Song Ji Hyo, Lee Kwang Soo, Jeon So Min, and Yang Se Chan. In each episode, they must complete missions at various places to win the race. Each mission is action-packed and hilarious as each member tries to beat the others using their wits and skills. Each week is filled with fun that includes trust and betrayal, knowledge and skills, physical strength and outrageous penalties. Sometimes, they work as a team and cooperate for one common goal. Other times, they betray each other throughout the race in order to win all the honor and glory for themselves. Viewers can be brought to tears each week from laughing at their silly antics!

With its global success, Running Man has welcomed appearances from Hollywood actors like Jackie Chan (episode 135), Tom Cruise, Simon Pegg, Henry Cavill (episode 410), Ryan Reynolds (episode 482), and K-pop stars, including BTS. All seasons of Running Man are available to view on KOCOWA. The show has also made its stars Yoo Jae Suk, Haha, Jee Seok Jin, Kim Jong Kook, Song Ji Hyo, Jeon So Min, and Yang Se Chan into globally recognized stars as well.

At the KOCOWA x KOCCA booth, fans will be able to play games from the show and insert themselves into their favorite K-Dramas and pose with beloved characters selected by the fans themselves. They will also be giving away collectible dolls and items from their hottest shows signed by the stars. Between KOCCA and KOCOWA, stars and idols have been known to stop by the booth for photos, so KCON LA 2022 attendees should check the booth often to see who they might meet!

As the service provider in the Americas with the largest library of Korean content, KOCOWA has quickly risen as an international platform since 2017. Programming is available in real-time after broadcast airtime in Korean, making KOCOWA the preferred destination for fans to watch new series and award-winning library titles or to discover new and exciting Korean content only available on KOCOWA.

About wA and KOCOWA
wA is a joint company between the top three Korean broadcasters – KBS, MBC, SBS, plus SK Telecom. wA launched KOCOWA, a subscription video streaming platform in the Americas, in 2017, with primary audiences in the United States, Canada, and Brazil. KOCOWA provides a robust lineup of over 17,000 hours of Korean Dramas, Reality, and K-Pop content in several languages on its direct platform. For more information, please visit: www.kocowa.com

About KOCCA
As the umbrella government agency for South Korea’s content industry, the Korea Creative Content Agency (KOCCA) supports creating and maintaining the content industry ecosystem in Korea. KOCCA supports a wide range of creative industries, including game, animation, character licensing, K-Pop, fashion, and broadcasting. KOCCA actively supports these industries via production support, marketing, global expansion, talent development, funding support, cultural technology development, and policy research. For more information, please visit: www.kocca.kr/en.

Korean Content Streamer KOCOWA is now available via Prime Video Channels in the US

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As the demand for Korean content reaches new heights, KOCOWA adds thousands of hit K-dramas, K-pop, K-variety, and library titles to Prime Video Channels.

LOS ANGELES, Calif., June 16, 2022 – wavve Americas (wA), a joint venture between the top three Korean broadcasters KBS, MBC, SBS, along with SK Telecom, will deliver KOCOWA’s premium entertainment programs to Prime Video channels customers in the US starting today. KOCOWA’s international service allows customers to access new authentic content from Korea daily via their mix of K-dramas, K-pop, K- reality, and K-variety, in addition to thousands of hit and highly rated library titles.

“Korean content has become so much more mainstream recently, and we are excited to offer Korea’s fresh storytelling with our diverse programming package on such an influential, global streaming service like Prime Video through Prime Video Channels,” said wA CEO, KunHee Park. “As a niche streaming service with broad reach, KOCOWA is well-positioned to be competitive in the battle among streaming services by super-serving fans of Korean-produced content. It will now be even easier for viewers to watch new shows coming out of Korea at home, fully subtitled in English. I am happy that viewers will be able to discover us and enjoy Korea’s world-renown brand of entertainment.”

On KOCOWA customers can watch select shows the same day they air in Korea and dig into thousands of high-quality library titles. Discovery is easy, as audiences can immerse themselves in award-winning relatable comedies and dramas, and hilarious reality competitions. For fans of K-pop, there are more than enough idols’ moments to binge on.

KOCOWA makes Korean TV accessible for new viewers by showcasing the Top 10 current series, featuring an impressive lineup of addictive hits, such as, ”Young Lady and Gentleman,” “Moonshine,” “The Penthouse” Seasons 1-3, “Dali and Cocky Prince,” “Music Bank K-Chart,” and long-time fan favorites like, “Home Alone.”

Prime Video customers can access KOCOWA via Prime Video Channels for $6.99 per month.

As the service provider in the Americas with the largest library of Korean content, KOCOWA has quickly risen as an international platform since 2017. KOCOWA’s millions of viewers are diverse, with 90% of viewers of non-Korean ancestry, in the prime under 44 age demographic and female. Programming is available in real-time after broadcast airtime in Korean, making KOCOWA the preferred destination for fans to watch new series, award-winning library titles, or to discover new and exciting Korean content only available on KOCOWA.

About wA and KOCOWA
wA is a joint venture between the top three Korean broadcasters – KBS, MBC, SBS, plus SK Telecom. wA launched KOCOWA, a subscription video streaming platform in the Americas in 2017, with primary audiences in the United States, Canada, and Brazil. KOCOWA provides a robust lineup of over 17,000 hours of Korean Dramas, Reality, and K-Pop content in multi-languages on its direct platform. For more information please visit: www.kocowa.com.

Carbon-Ion Announces Reg D 506(c) Offering

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New York City – July 7, 2022 – Carbon-Ion Energy, Inc. (Carbon-Ion or C-Ion), a leader in advanced research and development of next-generation power storage and delivery, today announced that it has launched an equity fundraising campaign under the Regulation D 506(c) exemption. The offering is only open to accredited investors here.

Carbon-Ion was founded to develop and bring to market the groundbreaking technology initially developed by ZapGo Ltd. With over 100 patents either issued or pending, Carbon-Ion Energy and its subsidiary Oxcion Ltd. will engage in the continuous expansion of its intellectual property portfolio, working towards a product that will be a key enabler of delivery and storage solutions. C-Ion’s products will offer sustainable power on demand from existing power grids to support the additional power needs from EVs, aviation, heavy transportation, warehouse robotics, as well as enhanced management of electrical grids themselves.

Andrew Sispoidis, Carbon-Ion’s CEO notes, “With the climate crisis reaching critical levels from the American West to the Indian subcontinent and beyond, technologies that enable renewable energy sources to smooth natural sun and weather cycles via energy storage and power on demand are becoming increasingly necessary. With a Reg D 506(c) raise any accredited investor interested in a fossil fuel-free future can be part of this game-changing work. We are excited to build a product that can deliver much more robust power storage and delivery solutions required for a livable planet in the years ahead.”

Today, lithium- and cobalt-based batteries are in widespread use in our phones, laptops, cordless appliances, power tools, electric vehicles, and even electrical grids. However, these batteries are not a perfect solution as their base materials – lithium and cobalt – are increasingly challenging to source, difficult to recycle, and potentially flammable. Carbon-Ion is developing a new high-power storage device called Carbon-Ion or C-Ion. It is safer, faster charging, longer-lasting, does not use rare-earth materials, and is not harmful to the environment if damaged or discarded. On its own, C-Ion can provide these benefits in many products and applications. In addition, C-Ion can also improve the safety, lifetime, and performance of energy storage systems when used alongside Lithium-Ion batteries in a broad range of applications.

With respect to grid management, our product will be particularly useful for a variety of grid services. Specifically, those that require a very fast reaction time and sufficient power to stabilize the frequency, reactive power, and voltage of grid systems. Those kinds of grid management services will become increasingly important as green energy solutions come online and the dependence on fossil fuel generators is reduced.

In the critical power grid market, dynamic containment is one of a new suite of frequency response services that have been rolled out by the UK national grid in 2021. This represents an excellent example of how the move to renewable generation offers opportunities for fast-responding energy storage. Today, this dynamic containment market relies almost entirely on batteries. However, batteries simply cannot provide the amount of energy necessary in the short time required. Worse still, using batteries for this purpose reduces their usable life by 50% or more.

Significant loss of grid inertia has led to more frequency deviations and ‘brownouts’ than ever before. A range of technologies is needed to plug this gap as we move toward a grid that is fully supplied by sustainable, green energy production. Every country will require these kinds of grid support technologies as the world increases its demand for electricity, even more so for those countries that adopt a net-zero carbon footprint.

Carbon-Ion can perform several roles in grid management. It will enable better battery management and be important to other longer-term storage systems that will be needed as we move forward in the world energy transformation. It has unique qualities that allow it to perform very fast-responding power balancing which is important to control frequency and other grid management stabilization. It will absorb and release energy in short duration balancing, providing the amount of power required to keep the lights on and industry running. Its design is inherently stable and has a very long life without appreciable degradation over many charge-discharge cycles.

By upgrading the way we deliver power and energy to electric vehicles (EVs), C-Ion can help reduce the need for expensive grid reinforcement and deliver cheaper energy prices to the EV customer, much faster charging times, and better returns to the owners of charging stations. Costs can be reduced using a form of safe energy storage that smooths out the energy needed to the hours that the local network can deliver, again without the need for expensive network reinforcement. Faster delivery of this energy and power to the EV allows more vehicles to use a single asset, therefore, giving the customer a quicker, cheaper service and the asset owner a better return.

A different form of the Carbon-Ion product could also be built into the vehicle’s structure (structural energy storage), making for simpler and cheaper onboard energy storage than the complex lithium packs currently used. Carbon-Ion already has the IP necessary to create structural energy storage.

Carbon-Ion’s mission is about improving the performance and manufacturability of supercapacitors. This is achieved by using improved materials that allow for rapid assimilation and disbursement of energy, increasing energy density, and very long life spans. Carbon-Ion uses a combination of advanced carbons and ionic electrolytes. Non-flammable chemical solvents are used in the manufacturing of the electrolyte. This makes Carbon-Ion’s products very safe, non-volatile, and with improved sustainability.

Carbon-Ion will enable true power on demand. Carbon-Ion cells have unique properties that allow them to charge and discharge extremely quickly while still retaining meaningful energy storage, which enables the delivery of fast, clean power on demand. These unique Carbon-Ion cells can also deliver a powerful boost in hybrid systems, such as grid energy storage or electric aviation.

Currently, global energy systems are at the beginning of a transition to fully electric living, disrupting nearly every industry in the world. As a result, there is a critical need for better and more diverse energy storage so that industries can provide more impactful solutions to all consumers. Carbon-Ion can bridge this gap in a groundbreaking way by delivering fast, clean power on demand to a broad range of applications from infrastructure to individual products and from grid services to drones.

Carbon-Ion’s speedy, reliable, and safe technology and unique material properties allow for a swift response time that adds value to the entire power system. Carbon-Ion cells have high cycle life and ramping capabilities. Furthermore, they can perform without noticeable performance degradation over hundreds of thousands charge-discharge cycles. This will create significant efficiencies in energy systems that will, in turn, save money, time, and resources.

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Forward-Looking Statements: Certain information set forth in this presentation, together with any supplements and any other information that may be furnished to prospective investors by the Company in connection therewith, contains “forward-looking statements” and “forward-looking information” within the meaning of applicable United States securities legislation (referred to herein as forward-looking statements). Except for statements of historical fact, certain information contained herein constitutes forward-looking statements which include but are not limited to statements related to activities, events, or developments that Carbon-Ion Energy, Inc expects or anticipates will or may occur in the future, statements related to the Company’s business strategy objectives and goals, and management’s assessment of future plans and operations which are based on current internal expectations, estimates, projections, assumptions and beliefs, which may prove to be incorrect. Forward-looking statements can often be identified by the use of words such as “may”, “will”, “could”, “would”, “anticipate”, ‘believe”, expect”, “intend”, “potential”, “estimate”, “budget”, “scheduled”, “plans”, “planned”, “forecasts”, “goals” and similar expressions or the negatives thereof. Forward-looking statements are neither historical facts nor assurances of future performance. Forward-looking statements are based on a number of factors and assumptions made by management and considered reasonable at the time such information is provided, and forward-looking statements involve known and unknown risks, uncertainties, and other factors that may cause the actual results, performance, or achievements to be materially different from those expressed or implied by the forward-looking statements.

Star of New Documentary, Forte, Brings “The Power of Sound” Performance to Venues Everywhere

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Acclaimed Violinist Explores Noise Pollution and the Power of Sound with Transformative New Program
Los Angeles, CA. May 19, 2022 – Today, violinist Tatiana Berman announced The Power of Sound – an innovative new performance that explores music’s ability to heal, and also raises awareness for the transformative impact sounds have on our everyday health and emotional well-being.

Featuring customizable classical and contemporary repertoire, this performance includes informative spoken vignettes that provide context for the corresponding pieces. There are multiple variations of the program, ranging from solo to chamber music to orchestral.

“We are exposed to thousands of sounds on a daily basis, but how does this actually impact our health and well-being?” says Berman. “Our bodies are composed mostly of water, which happens to be an excellent conductor for vibrations, so essentially, we are walking conduits of sounds. As we are extremely sensitive to sound, noise, and music, they affect our emotions, behavior, and shape our reality.”

Recently, Berman piloted her music and spoken-word program to private audiences across the U.S. to an incredibly encouraging response. “It has been a cathartic event for so many audience members, and the feedback is that we need these transformative experiences more than ever.”

“I have always loved to explore non-classical music topics, including how modern science intersects with ancient philosophy and sound healing practices,” said Berman. “As a result, I created a project that raises awareness of how noise and sound affect us in everyday life.”

Berman is touring The Power of Sound throughout the U.S. and Europe with a series of private engagements and limited performances open to the public. She is partnering with various organizations including orchestras, performing art centers, retreats, and wellness centers.

Berman stars in the upcoming documentary Forte, available on Apple TV and other platforms on May 27 in the U.S., UK, Canada, and Ireland.

For more information, and inquiries regarding bookings and partnerships, visit www.TatianaBerman.com.

European Customer Service Experts Enteractive Survey Americans’ CS Positions Prior To Market Entry

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Harris Poll Findings Reveal Americans Would Like Human Interaction
Gzira, Malta –June 9, 2022 – Enteractive, a noted customer service and retention concern with clients and offices across the European Union today announced the results of a survey of American’s attitudes towards customer service in the United States prior to entering the market later in the year.

Their findings were consistent with what one might expect given the dismal state of customer service in US, especially in the technology and entertainment fields currently. Some of these include:

  • 90% of respondents would prefer to speak with a real person when contacting a brand with a customer service enquiry
  • 89% of respondents believe brands’ customer service agents should speak the same language as the customer they are calling
  • 87% of respondents think US brands should use a CALLER ID when contacting customers so they can clearly see who is calling them
  • 85% of consumers said they are MORE LIKELY to stay loyal to a brand that uses real people for customer service
  • 70% of respondents find robo-calls from brands frustrating, with 54% confiding they are VERY frustrating.
  • Overall, on average, over 53% believe that getting through to a real person is DIFFICULT when calling a brand’s customer service number, with the numbers even higher among older respondents
  • 41% of respondents would be happy to get a call from online entertainment or technology brands to check in and improve the customer relationship

Enteractive CEO Mikael Hansson noted, “I was so pleased to see the results as they bear out our personal interaction business model, that we are excited to be bringing to the US later in the year.” Adding, “Since 2009 we’ve had real people talking to our clients’ customers in their own language to bring them back with amazing success. We’re looking forward to helping US companies with their customer retention by actually speaking with their users as well.”

A leader in customer retention in the popular and legal online gambling sector in Europe, where clients typically see a 500% increase in customer reactivation, and a 300% increase in customer spend, Enteractive is entering the US market as online and mobile sports betting and other iGaming formats grow quickly as the number of states with legalized sports betting has increased. With recent legalization in New York, plus 19 other states allowing some form of wagering, online gambling brands are signing up thousands of new players during important sporting event like the Super Bowl, March Madness and the upcoming Tennis Grand Slam events, the US Open and Wimbledon.

Enteractive also polled the sample on attitudes towards online gambling and found that 64% support online gambling nationally, while 60% approve of it at the state level.

“While our service works in any customer service or customer relationship management setting, we’ve been very successful in the iGaming space in Europe, and are eager to work with US operators like Caesars, FanDuel, DraftKings, BetMGM, and others. While these companies are spending large sums on promotion, marketing, and competitive odds to prompt high-speed growth as they enter these new markets in the US, they must keep a focus on retention of all those hard-won customers,” says Hansson. Adding, “it’s heartening that the majority of Americans support online gambling.”

To ensure the safety of their clients’ data, Enteractive has developed the (Re)Activation dashboard to give partner brands complete transparency, with real-time reporting for each interaction with individual customers while keeping all data highly secure, GDPR, and Responsible Gambling compliant.

“There’s currently a gold rush in the US sports betting market,” adds Hansson, “and the eventual winners will be those brands that engage with their customers and build relationships for the future. Every brand must keep a clear focus on all aspects of their offering, ensuring that all the hard work in getting to market, and the expense of customer acquisition is not quickly lost to lapsing relationships.”

About Enteractive:
Enteractive is the industry leader in player reactivation, driving innovation through custom-made tech, powered by personal human interaction. As a partner to iGaming operators around the world, Enteractive increases retention and player loyalty through engagement with players in one-to-one conversations.

The3rdBevCo Announces Their Qualification of a Regulation A+ Public Stock Offering

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Ronkonkoma, New York – April 21, 2022 – Noted beverage, supplement, and finance exec, and The3rdBevCo CEO Peter Scalise today announced that The3rdBevCo has been qualified by the Securities and Exchange Commission (SEC) to list a $50 million exempt public stock offering using the Regulation A+ Tier 2 framework. Interested investors can go to https://the3rdbevcoipo.com/ for info and to begin the investment process.

While many beverage brands are publicly traded, this is the first listing for a company developing unique functional beverages outside the energy drink space. A Regulation A+ offering allows for retail investors to invest in pre-public and private companies. The net proceeds of the offering will be used to accelerate the development and distribution of a number of The3rdBevCo’s functional product lines.

There is a major shift happening in the beverage industry. The largest demographic of consumers, GenZ and Millennials, are moving away from sugary drinks and alcoholic beverages to healthier, guilt-free options. In fact, alcoholic-free drinks have become one of the hottest new megatrends to come along in years. The New York Times recently shared a study that estimated the size of the non-alcoholic beverage market would explode to $1.6 trillion by 2026! The3rdBevCo has created four first of their kind, non-alcoholic and functional beverages for the health-conscious sipper. Savvy investors now have the opportunity to get in on this emerging mega trend.

As The3rdBevCo CMO Cecil Robles notes, “Imagine owning a piece of Red Bull when they first launched. Now imagine owning a piece of the next giant beverage trend. Well today we are excited to be able to allow any investor the opportunity to invest in a company and industry-savvy team that is trail blazing in this market sector once again. We are poised to disrupt the non-alcoholic beverage space with innovative drinks and formulations. For early-stage investors looking to ride this multi-billion-dollar wave, The3rdBevCo is a unique investment opportunity that has potential to deliver handsome financial returns.”

Robles explains the announcement in video form on Benzinga’s LinkedIn here.
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About The3rdBevCo:
We’re a team of disruptors and innovators bringing our combined years of market expertise to the everyday decisions we make for our brands. Our mission is to be a different kind of beverage company by bringing healthy and first of their kind alternatives to the market. Together we’re positioned to disrupt a mega industry, take market share, and create a big win for investors. Connect with The3rdBevCo at https://the3rdbevcoipo.com.

Legend: AN OFFERING STATEMENT REGARDING THIS OFFERING HAS BEEN FILED WITH THE SEC. THE SEC HAS QUALIFIED THAT OFFERING STATEMENT, WHICH ONLY MEANS THAT THE COMPANY MAY MAKE SALES OF THE SECURITIES DESCRIBED BY THE OFFERING STATEMENT. IT DOES NOT MEAN THAT THE SEC HAS APPROVED, PASSED UPON THE MERITS OR PASSED UPON THE ACCURACY OR COMPLETENESS OF THE INFORMATION IN THE OFFERING STATEMENT. THE OFFERING CIRCULAR THAT IS PART OF THAT OFFERING STATEMENT IS AT: https://www.sec.gov/Archives/edgar/data/1819117/000121390022008180/ea155575-1apos_the3rdbev.htm. YOU SHOULD READ THE OFFERING CIRCULAR BEFORE MAKING ANY INVESTMENT.

Forward Looking Statements: Certain information set forth in this presentation, together with any supplements and any other information that may be furnished to prospective investors by the Company in connection therewith, contains “forward-looking statements” and “forward-looking information” within the meaning of applicable United States securities legislation (referred to herein as forward-looking statements). Except for statements of historical fact, certain information contained herein constitutes forward-looking statements which include but are not limited to statements related to activities, events or developments that The3rdBevCo expects or anticipates will or may occur in the future, statements related to the Company’s business strategy objectives and goals, and management’s assessment of future plans and operations which are based on current internal expectations, estimates, projections ,assumptions and beliefs, which may prove to be incorrect. Forward-looking statements can often be identified by the use of words such as “may”, “will”, “could”, “would”, “anticipate”, ‘believe”, expect”, “intend”, “potential”, “estimate”, “budget”, “scheduled”, “plans”, “planned”, “forecasts”, “goals” and similar expressions or the negatives thereof. Forward-looking statements are neither historical facts nor assurances of future performance. Forward-looking statements are based on a number of factors and assumptions made by management and considered reasonable at the time such information is provided, and forward-looking statements involve known and unknown risks, uncertainties and other factors that may cause the actual results, performance or achievements to be materially different from those expressed or implied by the forward-looking statements.

Longtime Weird Al and Slack-Key Guitarist Jim “Kimo” West and Billboard New Age Chart Topper Joss Jaffe Release Aum Akua Album Tomorrow

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Los Angeles, CA – Gorgeous instrumental album, Aum Akua, the latest from Grammy-winning slack-key and 40-year “Weird” Al guitarist Jim “Kimo” West and Billboard New Age Chart-topper Joss Jaffe, will be released by Be Why Music on all platforms tomorrow. (Press only listening link here. All public links are here.)

The album presents a never-heard combination of unique instrumentation, including Indian tablas, Hawaiian percussion, African Ngoni (harp), custom and rare guitars, and ambient soundscapes. The music at times feels like a tapestry of dreamy ambiance, Hawaiian music, African kora music, jazz, and world music reminiscent of the 70’s band Shakti with John McLaughlin and Zakir Hussein, who the tabla player Jaffe counts as one of his primary teachers and with whom he has performed en ensemble.

West, respected in his own right with a 2021 Grammy win for More Guitar Stories, is also well known as the lead guitarist with “Weird” Al Yankovic for over 40 years. In fact, he is currently on 130+ date tour with Weird Al! Additionally, West will be portrayed in an upcoming Weird Al feature biopic starring Daniel Radcliffe coming out this fall.

Jaffe is a Los Angeles-based multi-instrumentalist known for his ambient album Meditation Music, which reached number 3 on Billboard’s New Age Chart in 2019. He has toured the world, performing at premier yoga events and transformational festivals.

The album opener “Blossom” was also the lead single released late last year. The inspiration for this song was to open the album with a light, sunny, happy, upbeat track. The guitar evokes the descending and ascending melodic runs of a kora (African harp). The instrumentation includes Ngoni, playing a fun 6/8 ostinato with an African high-life feel. The tabla brings in world instrumentation with an uplifting, lilting groove that brings to mind a flower opening to the sun.

If Blossom is bright and sunny, the next track, “Open Ocean,” also released as a single last year, is more profound, more lunar, and moodier. A very different type of 6/8 groove creates a deeply meditative feel. Percussion comes from an Ipu Heke Hawaiian gourd with layers of shakers for a trance-like vibe. The middle section brings in the Bansuri bamboo flute from India. The ending ride out opens up into a major key refrain with a longing, hopeful energy, like clouds parting over the sea.

The album’s central track, “Free Float,” and third single, released this year, has been described by West as, “The most relaxing song I’ve ever recorded.” It features Joss’ vocalization to create an ambient pad with slow, meditative washes of notes surrounded by Ngoni and guitar for a dreamy atmosphere. This song is perfect for spa, massage, floatation therapy, and savasana.

“Kauai Daydream,” the album’s most recent single, invites you to picture yourself in Hanalei Bay on the North Shore of Kauai, looking out across the water to the green cliffs and mountains running off to the Nāpali Coast of Hawaii. You see clouds dance over the blue sky, idyllic, peaceful, and restful. It’s as relaxing as an afternoon daydream on the garden isle.

The focus track for the album release is “River,” which evokes the famous jazz/Indian classical/world fusion album Meeting by The River by Ry Cooder and VM Bhatt. “River” has a driving tabla beat that speeds up to a crescendo with slide guitar and layers that at times sound like blues, jazz, world, and classical Indian music.

Other tracks on the album include “No Rain No Rainbows,” from an expression popular in Hawaii that is similar to the Buddhist saying “No mud no lotus.” It speaks to the beauty that emerges from what’s dark, cloudy, or challenging; “Path Through The Bamboo” is a short interlude evoking the feeling of walking through a peaceful, tropical bamboo grove with the wind rustling above and the bamboo drifting around you; the album’s penultimate track “Voyaging” is dreamy ambient piece evoking the lilting, rolling waves of the open sea; the album closes with “White Sand Blue Waves,” a gentle, soothing ambient piece that is perfect for savasana, yoga, meditation, or just relaxation.

Not on the album, but a bit of a bonus single on all platforms, Jaffe and West cover John Lennon’s classic “Imagine.” The track is a benefit for Seeds of Peace, an organization that equips exceptional youth and educators with the skills and relationships to work in solidarity across lines of difference to create more just and inclusive societies. For info on this single, please go here.

Listeners are sure to enjoy this sonic trip to Hawaii by way of India and Africa! Aum Akua is released by Be Why Music, the California-based record label dedicated to music that uplifts humanity and known for its three Best New Age Album Grammy winners.