Los Angeles, CA – September 9, 2021 – Angel City Arts ends the second weekend of their 14th Annual Angel City Jazz Festival with a highly anticipated premiere performance of Elliott Sharp & Jeff Parker as a duo, plus the Muttdoggs with Petra Haden October 10 at Highland Park venue, the Lodge Room, 104 N Ave 56 2nd floor Los Angeles, California 90042, at 8pm. Info and tickets are available at https://angelcityjazz.com/event/muttdogs/.

American multi-instrumentalist, composer, and performer Elliott Sharp is a central figure in the avant-garde and experimental music scene in New York City and globally for over 30 years, Elliott Sharp has released over eighty-five recordings ranging from orchestral music to blues, jazz, noise, no wave rock, and techno music. He leads the projects Carbon and Orchestra Carbon, Tectonics, and Terraplane, and has pioneered ways of applying fractal geometry, chaos theory, and genetic metaphors to musical composition and interaction. http://www.elliottsharp.com

Jeff Parker is recognized as one of contemporary music’s most versatile and innovative electric guitarists and composers. With a prolific output characterized by musical ideas of angularity and logic, he works in a wide variety of mediums – from pop, rock and jazz to new music – using ideas informed by innovations and trends in both popular and experimental forms. He creates works that explore and exploit the contrary relationships between tradition and technology, improvisation and composition, and the familiar and the abstract. His sonic palette may employ techniques from sample-based technologies, analog and digital synthesis, and conventional and extended techniques from over 40 years of playing the guitar. An integral part of what has become known as “The Modern Chicago Sound,” he is a longtime member of the influential indie band Tortoise, and is also a founding member of Isotope 217˚, and Chicago Underground. https://www.jeffparkersounds.com/

Muttdoggs are an experimental project put together by fest favorite Motoko Honda, eclectic drummer and circuit bender Joe Berardi, and legendary SoCal bass player Mike Watt. They’ll be joined on this gig by noted vocalist and violinist Petra Haden.

Mike Watt co-founded and played bass guitar for the rock bands Minutemen, Dos, and Firehose. He is also the frontman for the supergroup Big Walnuts Yonder, a member of the art rock group Banyan and is involved with many other musical projects. From 2003 until 2013, he was the bass guitarist for The Stooges. Watt has been called “one of the greatest bassists on the planet.” CMJ New Music called Watt a “seminal post-punk bass player.” Readers of NME voted Mike Watt one of the “40 Greatest Bassists of All Time” and LA Weekly awarded him the number six spot in “The 20 Best Bassists of All Time.” http://www.hootpage.com

Motoko Honda is a concert pianist, composer, and interdisciplinary artist who has created a distinctive sound through her holistic approach to music, and her exceptional sensitivity in relating to other art forms and technologies. Employing a “virtuoso technique paired with her intensely imaginative mind” (LA Splash Magazine), and with stylistic influences ranging from jazz to Indonesian music to contemporary prepared piano with electronics, Motoko’s compositions and structured improvisations are intended to affect the skin, organs and minds of the listener rather than simple recitations of rhythmic and harmonic themes. Called both a “keyboard alchemist” (LA Times), and the “embodiment of a muse” (Metaljazz), Motoko’s performances transport audiences on sonic adventures that transcend the boundaries and conventions of contemporary music. https://www.motokohonda.com

Joe Berardi has a long history in the Los Angeles experimental underground music scene, both as composer and performer. Mainly known as a drummer/percussionist, he also plays a variety of instruments, from keyboards to marimba to the occasional cello and viola, along with homemade instruments, sound objects, samplers, synths and toys. His side business, F Hole, provides an outlet for his work in electronics. He creates, builds and sells circuit bent instruments, effects pedals and other sound-making devices, and uses these instruments in his improvisations and recordings. Since first coming into prominence as a member of the groundbreaking avant-rock band The Fibonaccis, Berardi has been involved in a wide assortment of musical ventures, from rock and pop to experimental and free improvisiation. His unique style and use of percussive objects and found sounds within the traditional drum kit have made him a highly sought collaborator. http://www.noncredo.com

As a singer, instrumentalist and composer, Petra Haden has built an impressively varied and accomplished discography. She has released a number of albums which often showcase her unique talent for constructing complex, evocative A-cappella arrangements by inventively layering multiple tracks of her own voice. She is a former member of the alt-rock quartet That Dog and since has collaborated with a broad array of artists including Bill Frisell, the Foo Fighters, the Decemberists, and Susannah Hoffs. As one of the triplet daughters of the late, legendary jazz bassist and composer Charlie Haden, Petra grew up around music and learned about harmony at a very young age Her early fascination with the violin and other instruments led her to develop an uncanny ability to use her voice to recreate the sounds of the instruments she heard, and to develop elaborate pop, jazz, blues and classical arrangements based on those sounds. http://www.petrahaden.com

For more information on the Angel City Jazz Festival and to purchase event tickets please visit http://www.angelcityjazz.com/.

Los Angeles, CA – September 8, 2021 – Angel City Arts continues the second weekend of their 14th Annual Angel City Jazz Festival with the Orenda Records Fest Saturday, October 9 at Echo Park area venue, 2220 Arts + Archives, 2220 Beverly Blvd, Los Angeles, CA 90057 (formerly the beloved Bootleg Theater) at 8 pm. Info and tickets are available at https://angelcityjazz.com/event/orenda-records-fest/.

Since 2014, Orenda Records has been a catalyst for creativity and expression in the Los Angeles music scene and beyond. Beginning with a group of core artists, the label has grown quickly, encompassing a huge range of stylistic approaches to inventive music-making from across the US and Europe, and is fast approaching its 100th release! For this special performance at the 2021 Angel City Jazz Festival, Orenda Records presents a lineup of artists that represent both the original core and new horizons of the label and the Los Angeles music scene with Jon Hatamiya’s Big Band, the Bridge to Everywhere project directed by composer Derrick Skye, the Cathlene Pineda Quartet, Alexander Noice’s NOICE, and label founder and artistic director Dan Rosenboom’s Quartet.

Trombonist, composer, and B.A.C. Endorsing Artist Jon Hatamiya (Jazz at Lincoln Center Orchestra with Wynton Marsalis, Michael Bublé, Kyle Athayde Dance Party) is one of the most promising trombonists to come out of the Sacramento area and is rapidly making a name for himself on both the New York and California music scenes. He was recognized in Jet Magazine as the only trombonist on Wynton Marsalis’s list of “Who’s Got Next”, which highlighted the next generation of emerging jazz artists. Jon recently released his debut album as a leader More Than Anything on Orenda Records in early 2020, as well as an electronic EP Some Might Say (Revisited) in December 2020.

Jon Hatamiya’s Big Band will premiere a new piece commissioned by the Los Angeles Jazz Society for their Jeff Clayton Memorial New Note Award. The Big Band players are Jon Hatamiya – trombone/composer/arranger; Saxes: Alex Hahn, Albert Baliwas, Devin Daniels, Chris Sullivan, Nicole McCabe; Trombones: Steven Robinson, Lemar Guillary, Ido Meshulam, Jake Kraft; Trumpets: Ryan DeWeese, Rigo Velez, Harry Ostrander, Aidan Lombard; Rhythm: Adam Hersh – piano/synths, Colin Cook – guitar, Yunus Iyriboz – guitar, Logan Kane – bass, and Colin McDaniel – drums.

Bridge to Everywhere celebrates cultural diversity by bringing people together to experience interwoven musical traditions to foster a more inclusive society. Bridge to Everywhere is a Los Angeles-based classical chamber ensemble and arts organization dedicated to supporting composers, performers, and educators who celebrate cultural diversity through interwoven musical traditions. Through collaborations, performances, and education programs, the organization strives to build bridges between instruments, genres, cultures, and people. Founded in 2015 by artistic director Derrick Skye, Bridge to Everywhere has been presented by Boston Court Pasadena, Brand Library & Art Center, Compose LA, Miles Memorial Playhouse, Eagle Rock Music Festival, Theatre Raymond Kabbaz, and has worked with Los Angeles Department of Cultural Affairs, American Composer’s Forum, Salastina Music Society, and Bridge Projects. The ensemble has premiered and performed works by Derrick Skye, Reena Esmail, Juan Pablo Contreras, Philip Graulty, James Waterman, Anna Kouchnerov, and Poovalur Srinivasan.

The Orenda Records Fest Bridge to Everywhere group includes Rachel Iba – Violin, Nikki Shorts – Viola, Chris Votek – Cello, Rachel Mellis – Flute, Mark Gutierrez – Bass, Philip Graulty – Guitar, James Waterman – Percussion, and Saili Oak –Voice

Cathlene Pineda is a highly sought pianist and composer in the Los Angeles area. In June 2020, Orenda Records released Cathlene’s third album of original music, Rainbow Baby, which chronicles her progression through motherhood, birth, and loss. It was hailed by Jazz Times as “beautifully articulated.” DownBeat said, “The majority of Rainbow Baby comes off as a blue exploration of Pineda’s psyche; the music’s no less gorgeous or entrancing. The emotional backing of California pianist Cathlene Pineda’s Rainbow Baby is startling…the courage to write music about such a personal experience should be recognized.”

In addition to Pineda, her Quartet on the Orenda Records Fest are Kris Tiner – Trumpet, David Tranchina – Bass, and Tina Raymond – Drums.

Alexander Noice is a composer, guitarist, producer, and bandleader based in Los Angeles. Known for his highly personalized style of composition and playing, best displayed by his ensembles NOICE and Falsetto Teeth, Alexander has been a highly sought musician in the creative music scene in Los Angeles and abroad for the past decade. Noice has performed and toured extensively throughout the United States, Europe, Australia, Japan, and South America performing with many notable artists such as Charlie Haden, Wadada Leo Smith, Vincent Gallo, Art Ensembles of Chicago’s Famoudou Don Moye, Vinny Golia, and Dan Rosenboom to name a few. His newest project, simply called NOICE, is a Los Angeles-based ensemble that seamlessly melds art rock, electronica, post minimalism, and jazz into a singular, mesmerizing sound. The ensemble is celebrated for its electrifying live performances – acrobatic in its execution and cinematic in scope. They released their debut NOICE album in 2019 to critical acclaim.

NOICE on the Orenda Records Fest includes Argenta Walther – Voice, Karina Kallas – Voice, Gavin Templeton – Alto Saxophone, Miller Wrenn – Bass, and Andrew Lessman – Drums.

Dan Rosenboom is an internationally recognized trumpet player, composer, and producer. He is known as a prolific member of the Los Angeles creative music scene, having released more than 25 albums of original music as a solo artist and bandleader, and has supported over 60 artists across nearly 100 releases on his label, Orenda Records. Rosenboom frequently performs on major film and television soundtracks, highlighted by the latest Star Wars trilogy, with such notable composers as John Williams, Danny Elfman, James Newton Howard, Alan Silvestri, and Alexandre Desplat. He has also performed often with such elite ensembles as the LA Philharmonic, the LA Chamber Orchestra, and the LA Opera. His own music eschews genre distinctions and draws from such disparate influences as jazz and Black American music, metal and experimental rock, contemporary classical music, folk music from around the globe, and a broad range of progressive music from the avant-garde. He studied music at the Eastman School of Music, CalArts, and UCLA, earning advanced degrees. The Los Angeles Times has called Rosenboom “a musician dedicated to exploration and expression, regardless of anyone’s imagined boundaries,” and “a phenomenon.”

Players in the Dan Rosendboom Quartet for the Orenda Records Fest are Joshua White – Piano, Richard Lloyd Giddens Jr – Bass, and Mark Ferber – Drums.

For more information on the Angel City Jazz Festival and to purchase event tickets please visit http://www.angelcityjazz.com/. For the Angel City Jazz Festival COVID safety policy, please see https://angelcityjazz.com/safety-policy/.

Los Angeles, CA – September 7, 2021 – The second weekend of Angel City Arts 14th Annual Angel City Jazz Festival kicks off with their popular FREE event in partnership with Jazz at LACMA, bringing Los Angeles’ legacy African-American big band, the Pan Afrikan People’s Arkestra to the museum’s outdoor stage Friday, October 8 at 6 pm. This concert is a special celebration of the 60th anniversary of the Pan Afrikan Peoples Arkestra, which was founded by revered pianist Horace Tapscott in 1961. This year also marks the 30th anniversary of the Jazz at LACMA concert series. Info on the free, walk-up event is available at https://angelcityjazz.com/event/papa/.

The Arkestra (Ark or PAPA for short) started as a collective of jazz musicians and other artists who were fired up like no other. The Ark was also formed as a response to the racial inequality in the US. Artists subjected to prejudice who saw opportunities denied to them found an outlet to express themselves via the Ark (perhaps influencing later groups like the Association for the Advancement of Creative Music and the Art Ensemble of Chicago). The ensemble began with a few people rehearsing in Horace’s garage, and they were soon doing free shows at parks and churches, workshops at schools, and other public events. Since its inception, the Ark has been performing with an ever-expanding roster of talented artists. Some notable members include: Kamasi Washington, Phil Ranelin, Sonija “Maia” Harper, Arthur Blythe, Adele Sebastian, Kamau Daaood, and Dwight Trible just to name a few. The Ark is currently mixed with veteran members as well as young musicians, all led by Mekala Session, with the help of Jamael Dean, both second-generation Arksters, and the elders of the group. It’s quite likely that Ark members who have led Los Angeles’ recent Black Jazz Renaissance will be playing on the gig.

For more information on the Angel City Jazz Festival and to purchase event tickets please visit http://www.angelcityjazz.com/. For the Angel City Jazz Festival COVID safety policy, please see https://angelcityjazz.com/safety-policy/.

Los Angeles, CA – September 2, 2021 – Angel City Arts first weekend of their 14th Annual Angel City Jazz Festival hosts the Corey Fogel Group, and Amirtha Kidambi’s Elder Ones Saturday October 2 at Echo Park area venue, 2220 Arts + Archives, 2220 Beverly Blvd, Los Angeles, CA 90057 (formerly the beloved Bootleg Theater) at 8pm. Info and tickets are available at https://angelcityjazz.com/event/coreyfogelamirthakidambi.

Amirtha Kidambi is invested in the creation and performance of Creative Music, from free improvisation and avant-jazz, to experimental bands, Carnatic voice and new music. She is a composer, vocalist, scholar, educator, activist and organizer, informed by anti-racism, decolonization and anti-capitalism and is the co-organizer of Musicians Against Police Brutality and co-founder of South Asian Artists in Diaspora (SAAID). As a bandleader, she is the creative force behind the protest infused band Elder Ones and vocal group Lines of Light, receiving critical praise from such publications as The New York Times, Pitchfork, Downbeat and The Wire Magazine. Kidambi topped the categories of “Rising Star Vocalist”, “Rising Star Composer” and “Rising Star Jazz Group” in the Downbeat Critics Poll for 2019 and “Female Vocalist” in El Intruso’s International Critics Poll. Kidambi is a key collaborator in Mary Halvorson’s latest sextet Code Girl, Angels & Demons with Darius Jones, duos with Luke Stewart, Maria Grand and Matteo Liberatore, and several projects with William Parker. Kidambi had the opportunity to collaborate with and receive mentorship from Muhal Richard Abrams and Robert Ashley before their passing. She has released records as a leader and collaborator on Northern Spy and Astral Spirits. http://www.amirthakidambi.com.

Amirtha plays the harmonium, synthesizer, and sings with her group The Elder One who include Max Jaffe (Normal Love, Leverage Models, Unnatural Ways) on drums, Matt Nelson (tUnE-yArDs, Battle Trance, GRID) on soprano sax and electronics, and Eva Lawitts (Stimmerman, Sister Helen, Three Body Problem) on bass.

Corey Fogel is a percussionist, composer, and visual artist living and working in Los Angeles. He is active in many genres such as rock, jazz, noise, folk, and chamber music, and creative contexts including performance art and video. Recent collaborations include: Julia Holter, Tashi Wada, Yoshi Wada, Patty Waters, Abigail Levine, Simone Forti, Odeya Nini, Archie Carey, Raven Chacon, Michael Winter, Maya Dunietz, John Butcher, John Russell, Misha Marks, Brian Allen, Alexander Bruck, Patrick Shiroishi, Liz Glynn, Jennifer Levonian, Chris Speed, Mark Dresser, Ezra Buchla, Tony Malaby, Devin Hoff, John Dieterich, and Carlin Wing. Fogel’s works have been presented at The Hammer Museum, Los Angeles County Museum of Art, Human Resources LA, Redling Fine Art, Los Angeles; The Wulf, Museo de Arte Contemporaneo de Oaxaca, REDCAT, and New Music for Strings Festival: Reykjavik. His performance work was also included in the J. Paul Getty Museum’s Pacific Standard Time Performance and Public Art Festival. Corey was awarded The California Community Foundation 2014 Fellowship in Visual Arts, and is currently finishing his PhD in UC Irvine’s Integrated Composition, Improvisation, and Technology (ICIT) program. He was recently Time, Space, Money Artist-in-residence at Human Resources LA, where he installed a new body of graphic score murals for improvising musicians. https://www.coreyfogel.com

The balance of the Corey Fogel Group includes Beth Schenck (Eivind Opsvik + Jeff Davis, Kelly Watson, Phil Rodriguez Group (Underbelly)) on alto sax, Blue Note recording artist Judith Berkson (Kronos Quartet, Wet Ink, Yarn/Wire) on piano and vocals, and Mattie Barbier (RAGE Thormbones, gnarwhallaby, wasteLAnd music) on trombone and electronics.

For more information on the Angel City Jazz Festival and to purchase event tickets please visit http://www.angelcityjazz.com/.

Los Angeles, CA – September 1, 2021 – Angel City Arts kicks off the 14th Annual Angel City Jazz Festival October 1 at Downtown Los Angeles’ home for avant garde performance, REDCAT at Disney Hall, 631 W. 2nd St., Los Angeles, CA 90012 at 8pm with the Mark Dresser 5, followed by the Jeremy Ledbetter Trio at 9:30pm. Info and tickets are available at https://angelcityjazz.com/event/mark-dresser-5-jeremy-ledbetter-trio/.

Mark Dresser is a Grammy nominated, internationally renowned bass player, improviser, and composer. At the core of his music is an obsession and commitment to expanding the sonic, musical, and expressive possibilities of the contrabass. He has recorded over 150 CDs including ten CDs as composer/bandleader, five solo recordings, a DVD, and his most recent solo album Modicana (2017). From 1985 to 1994, he was a member of Anthony Braxton’s Quartet. He has also performed and recorded music with Ray Anderson, Jane Ira Bloom, Tim Berne, Anthony Davis, Dave Douglas, Osvaldo Golijov, Gerry Hemingway, Lei Liang, Bob Ostertag, Joe Lovano, Roger Reynolds, Henry Threadgill, Dawn Upshaw, and John Zorn. Since 2007 he has been deeply involved in telematic music performance and education. He was awarded the Shifting Foundation Award in 2015 and 2018, and the 2015 Doris Duke Impact Award. He is Distinguished Professor of Music at University of California, San Diego.

His band for this gig includes Chris Speed (John Zorn, Tim Berne, John Hollenbeck) on clarinet and tenor, Michael Dessen (Nicole Mitchell, Myra Melford, Geri Allen) on trombone, Joshua White (Alex Cline, Rudresh Mahanthappa, Dwight Trible) on piano and Mark Ferber (Lee Konitz, Norah Jones, Billy Childs) on drums.

Forged in a cauldron of raging, inspiring contemporary jazz, the Jeremy Ledbetter Trio pushes the boundaries of jazz and world music, providing an undiluted display of rampaging energy and captivating musicianship. Audiences must exercise caution. People who see this band are rarely the same again. If the Jeremy Ledbetter Trio were an inanimate object, it would be a runaway train. Jeremy Ledbetter has been creating genre-bending original music since forming the Caribbean Latin jazz outfit CaneFire in 2004. Since then, he has worked closely with an international array of artists that includes David Rudder, Eliana Cuevas, the Larnell Lewis Band, Aquiles Baez, Alexis Baro, OKAN, Rinse the Algorithm, Patricia Cano, and more.

The Jeremy Ledbetter Trio sees Jeremy joined by Juno award nominated drummer Sarah Thawer (George Watsky, Jon Batiste, Sheila E.) and renowned electric bassist Rich Brown (James Blood Ulmer, Vernon Reid, Dapp Theory, Steve Coleman), who offer the perfect counterpart to Ledbetter’s iconoclastic energy at the piano. The Trio’s debut album Got a Light?, released in 2018, has been described as “a controlled explosion of big ideas and compelling musical storytelling.”

For more information on the Angel City Jazz Festival and to purchase event tickets please visit http://www.angelcityjazz.com/.

Los Angeles, CA – July 30, 2021 – Angel City Arts presents the 14th Annual Angel City Jazz Festival October 1 – 15 with performances from Highland Park to Brentwood at REDCAT, 2220 Arts & Archives (formerly the Bootleg), LACMA (Los Angeles County Museum of Art), the Lodge Room, the John Anson Ford Amphitheatre, and the Ahmanson Ballroom at the Skirball Center. This year’s events mark the festival’s return to presenting concerts with live audiences after more than a year of virtual-only events.

This year’s event will host fifteen concerts during the first half of October featuring live performances by the Mark Dresser 5 with Michael Dessen, Joshua White, Mark Ferber, and Chris Speed, the Jeremy Ledbetter Trio with Rich Brown and Larnell Lewis, the Corey Fogel Group featuring Judith Berkson, Beth Schenck, and Mattie Barbier, Amirtha Kidambi’s Elder Ones with Matt Nelson, Eva Lawitts, and Max Jaffe, the Pan African Peoples Arkestra, Bridge to Everywhere, the Cathlene Pineda Quartet, NOICE, the Dan Rosenboom Quintet, and John Hatamiya’s Big Band, the Jeff Parker & Elliot Sharp Duo, the Muttdoggs (Mike Watt, Motoko Honda & Joe Berardi) with special guest Petra Haden, Billy Childs Jazz Chamber Ensemble with special guest Dianne Reeves, Myra Melford, and the Jamie Baum Septet+1.

Jazz never stands still. It’s constantly evolving and reinventing itself. While some festivals nostalgically look back, Angel City unapologetically looks forward to encouraging and embracing the metamorphosis of the genre. Although a cradle to 1960s innovators such as Ornette Coleman, Eric Dolphy, and Charles Lloyd, Los Angeles never consistently hosted a festival dedicated to post-traditional improvisation until innovator Rocco Somazzi founded The Angel City Jazz Festival in 2008. The Angel City Jazz Festival has helped establish LA as a jazz destination through twelve years of live concerts featuring artists such as Bill Frisell, Archie Shepp, Bennie Maupin, Roscoe Mitchell, Wadada Leo Smith, Vijay Iyer, Ravi Coltrane, Nels Cline, Tigran Hamasyan, Rudresh Mahanthappa, and many others.

The festival will kick off Friday, October 1 at REDCAT at the Disney Hall in Downtown LA with longtime festival favorite San Diego based bassist/composer Mark Dresser leading a new Quintet with Michael Dessen, Joshua White, Mark Ferber, and Chris Speed, followed by Canadian supergroup the Jeremy Ledbetter Trio with Rich Brown (Dapp Theory) and Larnell Lewis (snarky puppy). The music continues Saturday, October 2 at 2220 Arts & Archives (formerly the Bootleg) with LA’s own experimental percussionist Corey Fogel’s Group featuring ECM recording artist Judith Berkson, followed by NYC based Carnatic vocalist Amirtha Kitambi’s Elder Ones

The festival’s only free event, in cooperation with Jazz at LACMA, will celebrate the 60th Anniversary of the Pan African Peoples Arkestra on Friday, October 8. Founded in 1961 by piano legend Horace Tapscott, with over 300 musicians on the roster over the decades, LA jazz luminaries who have come out of “the Ark” include Kamasi Washington, Phil Ranelin, Dwight Trible, Jamael Dean, and Maia and Kamau Daaood. P.A.P.A. is currently led by second-generation Arkestra drummer Mekala Session. Like many ACJF/Jazz at LACMA events, this concert will be a true celebration of Black Los Angeles’ jazz heritage.

Saturday, October 9 will see the ACJF partnering with LA-based recording label ORENDA to present a celebration of their 100 releases with Bridge to Everywhere, the Cathlene Pineda Quartet, NOICE, the Dan Rosenboom Quintet, and John Hatamiya’s Big Band at 2220 Arts & Archives. Then Sunday will be a jazz treat for music hipsters with Tortoise guitarist Jeff Parker and seminal experimental musician Eliot Sharp performing as a duo, followed by legendary LA bassist Mike Watt bringing his Muttdogs with festival favorite Motoko Honda, The Fibonaccis’ drummer Joe Berardi, and special guest That Dog/Decembrists violin player Petra Haden, to the Lodge Room in Highland Park.

The penultimate event will see the festival return to its longtime home, the Ford Theater for what is certain to be a sublime evening of Billy Childs’ Jazz Chamber Ensemble with special guest Diane Reeves on October 14. The festival will conclude on October 15 exploring the distaff side of jazz at the Ahmanson Ballroom at the Skirball Center with ACJF stalwart Myra Melford in a solo piano performance followed by acclaimed flutist Jamie Baum’s Septet+1, coming in from NYC for a rare LA appearance

Friday, October 1:
REDCAT, 631 W. 2nd St., Los Angeles, CA 90012 – 213-237-2800
7:30 pm Mark Dresser 5 with Michael Dessen, Joshua White, Mark Ferber, and Chris Speed
9:00 pm Jeremy Ledbetter Trio with Rich Brown and Larnell Lewis

Saturday, October 2:
2220 Arts + Archives 2220 Beverly Blvd, Los Angeles, CA 90057 – (213) 422-1418
8:00 pm Corey Fogel Group featuring Judith Berkson
9:30 pm Amirtha Kidambi’s Elder Ones with Matt Nelson, Eva Lawitts, and Max Jaffe

Friday, October 8:
LA County Museum of Art – 5905 Wilshire Blvd, Los Angeles 90036 – 323-857-6000
6:00 pm 60th-anniversary celebration of the Pan African Peoples Arkestra

Saturday, October 9
2220 Arts + Archives 2220 Beverly Blvd, Los Angeles, CA 90057 – (213) 422-1418
5:00 pm to 11:00 pm ORENDA fest with Bridge to Everywhere. Cathlene Pineda Quartet, NOICE, Dan Rosenboom Quintet, and John Hatamiya’s Big Band

Sunday, October 10
The Lodge Room 104 N Ave 56 2nd floor, Los Angeles, CA 90042 – (323) 509-2861
8:00 pm Jeff Parker & Elliot Sharp Duo
9:30 pm Muttdoggs (Mike Watt, Motoko Honda & Joe Berardi) with special guest Petra Haden

Thursday, October 14
John Anson Ford Amphitheater – 2580 Cahuenga Blvd., Hollywood, 90068 – 323-461-3673
8:00 pm Billy Childs Jazz Chamber Ensemble with special guest Dianne Reeves

Friday, October 15
Skirball Center Ahmanson Ballroom, San Diego Fwy / Skirball Center, Los Angeles, CA 90049
8:00 pm Myra Melford solo piano
9:30 pm Jamie Baum Septet+1

For more information on the Angel City Jazz Festival and to purchase event tickets please visit http://www.angelcityjazz.com/.